Showing posts with label Old Rockers. Show all posts
Showing posts with label Old Rockers. Show all posts

Friday, 7 December 2012

Been there, seen it, got the T shirt.

The old rockers have been at it again. This time it was Jeff Wayne’s ‘New Generation’ War of the Worlds. The show is currently on at Wembley in the auditorium next door to the stadium and we decided to get there by coach. The coach service has a pickup quite close to our house and so we did not even need to get into town to start our trip. Our pickup point turned out to be the first one for this service and so after having a guided tour of our local town, visiting each of the several pickups, which took the best part of an hour, we headed off along the motorway to the next town, where a few more passengers were picked up. It was interesting to see that most of the other passengers were of a similar age to us. Those of you who may not know, the musical is based on the novel written by H G Wells around 1896, which was the very first invasion by aliens story to have reached a wide audience and has been very popular and continuously in print ever since, with at least two movies made, one quite good and the other more recent one worthy of the golden turkey award for truly terrible movies. Jeff Wayne’s original version of The War of the Worlds was released as a double LP in 1978 and was widely acclaimed and became a regular seller with a couple of spin off hit singles, ‘The Eve of the War’ and ‘Forever Autumn’ both getting high in the charts worldwide and both the LP and the singles were, and are still are, played regularly on air.
By the time we approached the M25, it was gone 6pm and the London rush plateau was in full swing. London has not had an easily identifiable rush hour, as such, for many decades, the congestion lasts most of the day rising around the start and falling off at the end of the working day. Arriving at the M25 junction, we were presented with the usual glare of massed red brake lights as the traffic slowed to a crawl whilst drivers joined and left the M4 for the M25 and vice versa. Nowadays, you have to pay congestion charges if you wish to enter central London and if you are driving a vehicle over a certain size, you either have to comply to the stated emission standards or pay an emissions charge of up to £200 a day.


Congestion charges are a lot cheaper and are applied to a much smaller area of central London. It is interesting that foreign embassy staff are not obliged to pay, owing to diplomatic immunity. However, whilst most embassies do pay the charges for their staff, Germany, Japan, Russia and the USA have never agreed and would now be due for a combined bill of tens of millions of GBP if they paid like everyone else.


The M4 motorway has signs telling you to where to exit, if you are not prepared to pay, before you enter each zone. We passed into the emissions zone and continued on to the North Circular road, which is well outside the congestion zone. We were now in an area of Greater London that was familiar ground to me, having lived and worked in this part of the world for several years and I had also lived not too far away as a child. My father had owned and run a small garage in a village in what many people would call a part of London, but which the residents thought of as quite separate. It was in Hertfordshire when I lived there and was quite rural, being in the green belt, which surrounds London and is now being looked upon with greedy eyes as ultra-prime development land in land-starved Greater London. That part of Hertfordshire has since been annexed by Greater London so now it is part of that urban area, however, to my mind and many of the residents of those parts of the world now incorporated into Greater London, London is still the bit in the middle where the East End and the West End are huddled around the City of London.
Whilst I was a small child, my father would often have to go out to buy specialist spares for his customers' cars when they had broken down. The kind of efficent mail service and big suppliers was not around then and since most of his customers' cars were of pre-war vintage, spares needed searching out and he travelled around the whole of that part of the world searching out the suppliers that still stocked the bits he needed. When not at school I would often accompany him so long before I worked in that area I was familiar with a large part of what is now North and West Greater London.

Wembley is outside London to my, and many other peoples', way of thinking and is also outside the congestion charge zone. Presumably our coach complied with the emissions standards and we slowly crawled into the solid traffic on Hanger Lane and progressed on to Western Avenue towards Wembley. At Hanger Lane (the district not the road, although we were still driving along the road of the same name.) there was a sign to Greenford, which caused a bit of nostalgia, since that was the district I last worked in before I moved to my present home town. I moved from there the same year that Jeff Wayne first released his War of the Worlds album, so there was a connection.

The show was brilliantly done, although apart from having a different cast, not a great deal was added by the new generation. Most of the instrumental bits were supported by a wide screen video above the stage and there was a big cast of actors and actresses who acted out the parts of the invaded Victorians on film, whilst the live singers were inset into the video. A rock ensemble and a full orchestra were on either side of the stage and the volume was wound way way up. Considering how many wrinklies like myself were in the audience, I felt this was unnecessary since our deaf aids work well and we did not need to be shouted at. In fact both myself and The Better Half (TBH) bring ear defenders to such events, which slip discreetly into the ears and make the sound levels bearable. Ironically if you want to buy this kind of industrial ear defender, you can get them at all good music shops that sell modern musical instruments. Roadies and other peripheral staff all use them at live concerts.

During the height of the battle for Earth, a Martian fighting machine arrived on stage
and fired its heat ray into the audience, with the help of some spotlights
 Like the double LP, the show broke off at the point where HG Wells’ Martians had conquered England (for some reason, they did not seem to have landed anywhere else, something that always puzzled me when I first read the story). In the interval, the queues for the loo (‘rest room’ in foreign English) were legendary and we decided it was not that urgent. After the interval the show resumed with the desolation of conquered landscapes using a lot of CGI of red weeds spreading across the land, followed by the scene with the Parson Nathaniel, played by Jason Donovan, wrestling with his inability to save his flock.

Jason Donovan as Nathaniel

The journalist who narrates the story was Liam Neeson and in my opinion not quite up to the original narrator Richard Burton. One of the side effects of having the sound levels so high was that the audience could be barely heard whenever they applauded the end of a scene and I am sure that the performers could not properly hear the response to their performance, which, unless they have some other way of telling how they were received, must have left them feeling a bit flat. The show ended in the same format as the original LP and we filed out quickly to find our coach in the pouring rain. The traffic had reduced a lot by then and only some roadworks held us up getting back round the North Circular and onto the Motorway. Having been the first to board the bus, we were now the last to be returned to our pickup point, having repeated the grand tour of our town in reverse order and it was gone one thirty by the time we got back home. All in all an enjoyable evening and we are now sitting quietly recovering from our lack of sleep and stiff backs resulting from the inevitable uncomfortable seating of a typical rock venue.

Wednesday, 30 March 2011

Old Rockers

Well it’s true we are getting on a bit, but perhaps rockers is a bit of an exaggeration.   We both enjoy a range of music including rock, The Better Half, having been an Elvis Presley fan for most of her life and a Meatloaf fan for half her life, is not unfamiliar with rock, whilst I have a wide range of musical likes too, from Mike Oldfield to The Killers.   We are not regular concert goers but have had our moments and amongst other shows, we have been to a Pink Floyd tribute concert and more recently we went to the Genesis Turn it on Again concert at Twickenham.

 Genesis Turn it on Again at the Twickenham football ground

 On Monday we went to London to see The Trans-Siberian Orchestra perform at the Hammersmith Apollo.   The train we used to go to London was due into our station at 15.29 but did not arrive.   We did not want to catch another train because our tickets were concessions and had to be used on the specified train or pay an excess fare.  So we waited and waited, watching other trains arrive and leave without us, wondering if we would have to board a later train and pay the difference just so that we could get there in time. We had allowed ourselves enough time to travel and dine before the show so it was not yet urgent and that option would be a last resort.
Eventually our train did turn up at 15.50 and we were whisked off to London amongst the mobile phone conversations and frantic texting that seems to be de rigour for train passengers today.   

The Trans-Siberian Orchestra are not well known in the UK and are a kind of cross between heavy metal and a Symphony orchestra and have a range of shows that often feature a Christmas theme.
This was their only appearance in the UK, so we decided we could not miss the opportunity to see them live.
 What we went to see was Beethoven’s Last Night.  This is a fantasy composed by Paul O’Neill.  It is set on the night in 1827 when Beethoven died. The story supposes that he has just completed his tenth symphony and on the point of death is tempted in various ways by the Mephistopheles, who claims to own Beethoven’s soul. 


This is performed with a narrator telling the story and a mix of Beethoven’s music and heavy rock and songs, accompanied by a modern rock style light show.   Maybe not everyone’s cup of tea but I like their sound and have been hooked on their versions of well known music.   To check out one of their songs, follow this link.
  
Most shows nowadays find it hard to keep out cameras, because they could never stop everyone and remove their mobile phones, so they allow compact cameras in and I have been able to snap a few pictures. The one above having captured some of the light show effects.

Most modern rock concerts have excessively loud music, well above the safe levels of sound that would be allowed in any work environment.  Having knocked about in the electronics industry for many years and in the process worked in music studios and indirectly worked for one or two rock bands, I knew that if you go into any real music shop that sells modern instruments, you can always get professional earplugs there.  Not the great big ear defenders that look like overlarge headphones, but small discrete things that sit inside your ear.  These defend them from excess decibels but allow speech and music to pass through clearly at reduced volume.  Many professionals working in the live music industry use them because they would soon go deaf otherwise.  We always take these whenever we go to a concert now because we value our hearing.  It is actually much more comfortable listening at a reasonable sound level, even if the seat and floor are vibrating noticeably from the unreasonably huge sound that people seem to think is required at a live venue.

The only two shows that we have been to recently where we did not need to use the ear defenders were Phantom of the Opera and Stomp.
No doubt most people have heard of the Phantom, but in case you have never heard of Stomp, it is a fabulous show, where all the sounds are produced acoustically on all sorts of domestic equipment and the performers perform with such a huge amount of energy it is really exhilarating.   I thoroughly recommend it.
   

In terms of high sound levels, the Trans-Siberian Orchestra are no exception but with our earplugs inserted, looking a bit like a pair of deaf oldies, both with some kind of hearing aid, we were able to enjoy the concert knowing our hearing was safe and we were not going to go away with a headache.
The show was brilliant and very well done and at the end, the TSO went on to do a medley of other music from their repertoire and some other well-known songs.  We left a little before the end of the show, because we had to be back at Paddington station in time to catch the very last train home, so we missed the finale, which was a pity but not a disaster.


Another snapshot of the show
We took a taxi to Paddington station and the taxi driver conversationally asked us where home was. On discovering our final destination, he rather disturbingly pointed out that there were now three high profile murderers in custody who had been taxi drivers, the most recent murder and taxi driver suspect being in our home town.  However, he did not take us to a quiet side street and murder us but took us to the station, so we made the train with a comfortable amount of minutes to spare and did not have to fork out for accommodation. 
Whilst the trip out had been delayed by a train mysteriously held up just outside the station, the trip home was quiet and uneventful. 
I have one question about First Great Western trains, who on earth decided that the seats should have a pink plastic thing on them that looks like a giant ear stolen from Mr Potato head?


I have for some while been considering buying a new mobile, as my ancient one is starting to crack and the camera does not work any more.  So I have been looking at what is on offer.  I have eliminated most smart phones because you cannot use them in bright sunlight, and since many of them have no physical keypad, this means you can only use voice dial and so if it is sunny you cannot call someone you have not programmed in already.   I thought the blackberry may be a nice compromise and had been looking at it since it has a physical qwerty keyboard which allows it to be used for texting, emails and of course as a telephone, even in bright sunlight. 
At Reading a young lady got on the train and sat in front of us.  We were behind her but the gap in the seats allowed me to see that she took out a blackberry and for the rest of the trip was chatting to several friends on Facebook, I think.  Both her thumbs were flying over the keypad at about the best speed that I can type using the fingers on two hands.  Great I thought, this could be the phone for me, but I suddenly realised that the text it was using was tiny. Being the gentleman that I am, I had not been attempting to read what she was typing, but even if I had I would not have been able to read it. It was using about a six point font and I would have difficulty reading this even if I was holding it up to my nose, so the Blackberry seems to be eliminated too.
Oh well, perhaps I will just get a phone that just makes phone calls with a proper keypad and no gps, no apps and no internet, how boring.